They Do It with Mirrors

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They Do It with Mirrors Genres: Drama, Mystery, Crime Year: 1991 IMDB Rating: 6.60 IMDB Votes: 141 Actors: Villiers, Jay as Stephen Restarick, Barge, Gillian as Mildred Strete, Swettenham, Neal as Edgar Lawson, Villiers, Christopher as Alex Restarick, Brimble, Ian as Sergeant Lake, Horovitch, David as Chief Inspector Slack, Brook, Faith as Ruth van Rydock, Boyce, Todd as Walter Hudd, Simmons, Jean as Carrie-Louise Serrocold, Ackland, Joss as Lewis Serrocold, Reichlin, Saul as Dr. Maseryk, Aird, Holly as Gina Hudd, Bott, John as Christian Gulbrandsen, Cottle, Matthew as Ernie Gregg, Hickson, Joan as Miss Jane Marple

Miss Marple is invited to London to see her old friend Ruth. Miss Marple was a sort of traveling companion to Ruth and her sister, Carrie Louise. Ruth is worried about Carrie Louise. She doesn't know why, though. Ruth asks Miss Marple to come with her to her sister's estate, Stonygates. Stonygates is a huge manor house, and some of the buildings and the grounds are used by Carrie Louises' current husband, Lewis, as a reformatory for juvenile criminals. Miss Marple meets the people who live there - Carrie Louise's grand-daughter Gina and her malcontent American husband Walter; Stephen and Alex Restarick, Carrie Louise's stepsons by her first marriage; Edgar Lawson, Lewis' mentally unstable secretary; and Carrie Louise's daughter, Mildred, who is jealous of Gina. Soon, Carrie Louise's stepson by her second marriage shows up. He is Christian Guldbrandsen, and he runs the trust which contributes a fraction of the funds used to run Stonygates. He and Lewis talk in private. Later that night, Edgar begins waving a gun around and ranting that Lewis is his father. Lewis takes him to his office where the argument becomes even more heated. After a few minutes, two shots are heard, and then hysterical crying. The door opens to reveal Lewis, unhurt. Edgar missed him. However, the body of Christian Guldbrandsen is discovered, shot. Miss Marple sets out to find the murderer before it is too late for her good friend Carrie Louise.
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This novel by Agatha Christie has been adapted for the screen once before in 1985 with Helen Hayes as Miss Marple: the film is called "Murder with Mirrors", and is, in my opinion, better than the later version: the mystery is better constructed, with the huge red herring of "poisoning" get built from the start, and apart from a weak Carrie Louise (Bette Davis was obviously in poor health at the time), the version had more attractive In most performances functions. For example, while both pages are quite nice, in MWM her husband was also a nice fellow and he wanted to "kiss and make up" in TDWM Todd Boyce is so bleak in the same paper, which I hope the poor girl is divorce him! Despite being 15 minutes shorter, MWM does a better job of explaining the plot, while the resolution of TDWM feels fast. It's really a 5 / 10 movie, but it gave me an extra point for the final shot deeply sad - easily the best moments in the film.

The novel on which this adaptation is based is not one of the best Christie's works to begin. However, the manner in which the (first) the murder was carried out in the book was brilliant. In this adaptation the exact details of the crime are shelved the plan of the house appears briefly in the first part is not presented again to explain how the murderer came to the victim in the room, nor the sound functioning of the Steps heard by Alex Restarick detail. Without these explanations, I fear that the casual viewer may have some questions at the end of the film. The film, however, has its saving grace - in the casting department. Faith Brook and Jean Simmons, in particular shine in their respective roles of Ruth van Rydock and Carrie-Louise Serrocold. The two sisters' friendship with Jane Marple is best seen not play in the final sequence.

Christie is the case in some excavations aimed at the fashion in philanthropy and allows reformatory leader Lewis Serocold peak on the need to rely on young offenders and betray a chilling symbiosis with one of the criminals who should clearly be in a cozy asylum in somewhere.

Spoilers here. Dame Agatha must be turning and turning. She spends her energy finding that the thin edge between the confusion and disclose tantalize us in a game. It is one of the most participation of any trick in the literature. But along comes the heavy boot of TeeVee that (apparently) requires that people do not want to think, so get rid of all the tracks and games. Bowen's other adaptations often ploder and we are surprised at all at the end. We are not detectives, but the perplexity among people in the room explanations to those made late. But this is the worst. Christie often gives clues indirectly through the establishment of a theme here is the illusion, the illusion of magic, theater, film, ballet. You save all this, but it makes less clear. He saves some of the events of Red Herring, but not ripen any of them: what is the student "," doing for sneaking out? Why the brothers seriously pursue a married woman? Hickson Marples of all, this is a greater distance between consistency and inconsistency of the book of adaptation. Ted's Evaluation - 1 of 3: You can find something better to do with this part of his life.

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